Peter Hujar

Peter Hujar
Candy Darling on Her Deathbed
1973
Pigmented ink print
20 x 16 inches
Courtesy of Fort Gansevoort.

Paula Gately Tillman

Paula Gately Tillman
Nelson Sullivan at Home
1986 (printed 2019)
Unframed: 30 x 20 in
Framed: 36 x 24 in
Gelatin silver print
Courtesy of Fales Library, NYU.

Collier Schorr

Collier Schorr
What! Are you Jealous?
1996-2013
Pigment print
24 1/4 x 32 inches image
29 x 36 1/2 inches framed
Courtesy of 303 Gallery.

Karen Kilimnik

Karen Kilimnik
Tabitha
1995
Oil on canvas
20 x 16 inches
Courtesy of 303 Gallery.

Max Colby

Max Colby
Harvest
2018
Crystal, wood, and plastic beads, sequins, found fabric, trim, fabric flowers, polyester batting, thread
10.5 x 10.5 x 12.5 inches
Courtesy of Jane Lombard Gallery.

Juan Neira

Juan Neira
Patch Me
2018
Treated fabrics
60 x 45 inches
Courtesy of Jane Lombard Gallery.

Cecily Brown

Cecily Brown
All Nights Are Days
2019
oil on linen
89 x 97 inches
Photo by Genevieve Hanson
Courtesy of the artist and Paula Cooper Gallery.

"cart, horse cart" at Lehmann Maupin

Installation view, "cart, horse, cart," 2019
Photo by Matthew Herrmann
Courtesy of the artist and Lehmann Maupin, New York, Hong Kong, and Seoul.

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New York

303 Turns 35, “50 Years After Stonewall,” and More Must-See Shows in New York

If you’re looking for somewhere to beat the heat of your New York City summer, try visiting some of these Cecily Brown Cecily Brown
All Nights Are Days
2019
oil on linen
89 x 97 inches
Photo by Genevieve Hanson
Courtesy of the artist and Paula Cooper Gallery.

“Cart, horse, cart”
Lehmann Maupin
Now—August 17
Lehmann Maupin’s “cart, horse, cart” was inspired by “Inherent Structure”—an exhibition curated by Michael Goodson in 2018, which reinterpreted the historical associations of abstraction through the works of 60 multigenerational artists like Sam Gilliam and Laura Owens. Co-organized by Goodson and the gallery’s curatorial director, Anna Stothart, “cart, horse, cart” displays the outcome of “Inherent Structure,” answering the question, “Where does abstraction come from?.” The display in both of Lehmann Maupin’s Chelsea show spaces features a compilation of 15 artists, the exhibition brings together works by McArthur Binion, Cecily Brown, Lari Pittman, Molly Zuckerman-Hartung, and more.

Peter Hujar Peter Hujar
Candy Darling on Her Deathbed
1973
Pigmented ink print
20 x 16 inches
Courtesy of Fort Gansevoort.

“A Look Back: 50 Years After Stonewall”
Fort Gansevoort
Now—August 10
Half a decade after the notorious riot at The Stonewall Inn, Lucy Beni and Adam Shopkorn have curated “A Look Back: 50 Years After Stonewall.” The commemoratory exhibition honoring the anniversary of the beginning of the Gay Liberation movement in the U.S. celebrates themes like love, protest, and revolt. It features works created by LGBTQ+ artists around the time of the riot, along with documentation of the movement, a tribute to Neil Sullivan (who once lived where Fort Gansevoort is now located), and ephemera like protest and pride buttons and Tee Corinne’s Cunt Coloring Book (1975). Works by Lyle Ashton Harris, Martin Wong, Joan E. Biren, and Kate Millett are also on view.

Collier Schorr Collier Schorr
What! Are you Jealous?
1996-2013
Pigment print
24 1/4 x 32 inches image
29 x 36 1/2 inches framed
Courtesy of 303 Gallery.

“35 Years”
303 Gallery
Now—August 16
Accompanying 303 Gallery’s new publication, 303 Gallery: 35 Years is an anniversary exhibition featuring the works of around 30 artists who have previously exhibited at the gallery, including Doug Aitken, Alicja Kwade, Eva Rothschild, Richard Prince, and Dan Graham. The book, created under the direction of Fabiola Alondra, features over 400 pages of detailed history about the gallery that opened in 1984. Included is a dive into the gallery’s exhibition archives and personal texts by artists like Nick Mauss and Mary Heilmann, who have provided intimate tales from the gallery’s last 35 years.

Juan Neira Juan Neira
Patch Me
2018
Treated fabrics
60 x 45 inches
Courtesy of Jane Lombard Gallery.

“A Body of Work”
Jane Lombard Gallery
Now—August 16
A compilation of works by six artists—Julia Brandāo, Margaux Crump, Anneli Goeller, Juan Neira, Ryan Wild, and Max ColbyJane Lombard Gallery’s “A Body of Work” is an exhibition highlighting implications of the human body in various forms, focusing on domesticity, identity, temporality, and memory. Curated by Shehab Awad, the show includes a range of drawings, sculptures, and collages like Wilde’s sculptural discussions on sexuality and gender; Goeller’s queer narratives, exploring the digital world’s boundaries between the virtual and corporeal; and pieces from Crump’s Blushing Bruising series, which examines the skin on the body as a marker of a moment in time.

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