WHITEWALLER London
Breathing, undulating, and oozing sculptures, invite the audience to feel, touch, and experience art in its most dynamic state at the “When Forms Come Alive” exhibition at Hayward Gallery.
Breathing, undulating, and oozing sculptures, invite...
Barbara Kruger's “Thinking of You. I Mean Me. I Mean You” is a sprawling, imposing selection of installations and soundscapes.
Barbara Kruger's “Thinking of You. I Mean Me....
From October 12—December 23, Amy Sherald’s first-ever solo exhibition in Europe, "The World We Make," is on view at Hauser & Wirth in London.
From October 12—December 23, Amy Sherald’s...
The new works in Nathaniel Mary Quinn’s “SCENES” see the artist’s singular style of portraiture utilized in an exploration of film.
The new works in Nathaniel Mary...
Teresita Fernández’s “Caribbean Cosmos” invites viewers to reflect on definitions of land and location in relation to violence and colonization.
Teresita Fernández’s “Caribbean Cosmos” invites viewers...
- February 7, 2024
- - May 6, 2024
Breathing, undulating, and oozing sculptures, invite the audience to feel, touch, and experience art in its most dynamic state at the “When Forms Come Alive” exhibition at Hayward Gallery.
- February 1, 2024
- - March 17, 2024
Barbara Kruger's “Thinking of You. I Mean Me. I Mean You” is a sprawling, imposing selection of installations and soundscapes.
From October 12—December 23, Amy Sherald’s first-ever solo exhibition in Europe, "The World We Make," is on view at Hauser & Wirth in London.
The new works in Nathaniel Mary Quinn’s “SCENES” see the artist’s singular style of portraiture utilized in an exploration of film.
Teresita Fernández’s “Caribbean Cosmos” invites viewers to reflect on definitions of land and location in relation to violence and colonization.